Dear Colleagues, please consider submitting a proposal before April 26, 2024
Histories of Disability, the Arts and their Education – intersectional and
international perspectives
Call for Chapter Proposals
Edited by Claire Penketh and Alice Wexler, this book will examine a range
of historical perspectives that intersect disability, race, class, gender,
and geography in histories of the arts and their education.
The arts are frequently aligned with inclusive pedagogies and practices yet
critical engagements with disability, disability studies and the role of
disabled people have remained tangential to readings of historical and
archival material. Based on the premise that disability has been under
examined in historical accounts of the arts in education, the book
recognises the effects of intersecting social and cultural factors such as
race, gender, geography, and class as well as the dominance of Western
perspectives in accounts of the subject’s history.
Building on A History of Disability & Art Education (Penketh, 2023), this
edited volume aims to bring a range of international and intersectional
perspectives to the historical relationship between disability, the arts
and education’s colonial past.
Historical perspectives offer an opportunity to engage with previously
unexamined archival material, narratives of learners, teachers and
artist/activists as well as institutional histories. Whilst the focus of
this work is on histories of the arts, education and disability, the
editors encourage prospective authors to consider the implications of their
work for our futures.
Proposals may consider but are not limited to the following:
How has whiteness in the arts affected disabled artists,
artist/teachers, students and teachers who are BIPOC (Black Indigenous and
People of Colour)?
How has the emergent awareness of disability as included in oppressed
populations highlighted and interrogated histories of the arts and special
education?
How might Indigenous pedagogy, practices, and research illuminate the
limitations of Western histories of disability and arts-based education?
How might educators conducting academic historical research re-examine
their assumptions and unconscious behaviours about minoritized identities
as objects of study with their own truth and reality?
Initial chapter proposals should be 500 words and should make the
intersectional and international relevance of the work explicit. This
should be submitted with a brief author bio of no more than 150 words.
Please submit your proposal to Claire Penketh (penketc@hope.ac.uk) on or
before Friday 26th April 2024. Final chapters will be submitted on or
before 1st May 2025.
--
Alice Wexler, MFA, Ed.D.
Professor Emerita, Art Education
SUNY New Paltz
Pronouns: She/her/hers
see my author page, https://www.amazon.com/author/alicewexler
https://www.amazon.com/gp/f.html?C=Z9SQXHR9LXA4&M=urn:rtn:msg:20200412152207fcb30995e39c402c8d89c42fa2c0p0na&R=1H9E51YRI0YI&T=C&U=https%3A%2F%2Fwww.amazon.com%2Fauthor%2Falicewexler%3Fref_%3Dpe_1724030_132998060&H=EQXSUHHHIFJLF8QTYETGLEPACSWA&ref_=pe_1724030_132998060
Author of Autism in a Decentered World
https://smile.amazon.com/Decentered-Routledge-Advances-Disability-Studies/dp/0815381883/ref=sr_1_1?keywords=autism+in+a+decentered+world&qid=1551909898&s=books&sr=1-1-catcorr
Co-editor of Bridging Communities through Socially Engaged Art.
https://smile.amazon.com/Bridging-Communities-Socially-Routledge-Advances/dp/0815396805/ref=sr_1_fkmrnull_1?keywords=bridging+communities+through+socially+engaged+art&qid=1556830291&s=books&sr=1-1-fkmrnull
Co-editor of Contemporary Art and Disability Studies.
https://www.amazon.com/Contemporary-Disability-Studies-Routledge-Advances/dp/0367203278/ref=sr_1_2?keywords=disability+studies+and+the+arts&qid=1581782028&s=books&sr=1-2
Dear Colleagues, please consider submitting a proposal before April 26, 2024
Histories of Disability, the Arts and their Education – intersectional and
international perspectives
Call for Chapter Proposals
Edited by Claire Penketh and Alice Wexler, this book will examine a range
of historical perspectives that intersect disability, race, class, gender,
and geography in histories of the arts and their education.
The arts are frequently aligned with inclusive pedagogies and practices yet
critical engagements with disability, disability studies and the role of
disabled people have remained tangential to readings of historical and
archival material. Based on the premise that disability has been under
examined in historical accounts of the arts in education, the book
recognises the effects of intersecting social and cultural factors such as
race, gender, geography, and class as well as the dominance of Western
perspectives in accounts of the subject’s history.
Building on A History of Disability & Art Education (Penketh, 2023), this
edited volume aims to bring a range of international and intersectional
perspectives to the historical relationship between disability, the arts
and education’s colonial past.
Historical perspectives offer an opportunity to engage with previously
unexamined archival material, narratives of learners, teachers and
artist/activists as well as institutional histories. Whilst the focus of
this work is on histories of the arts, education and disability, the
editors encourage prospective authors to consider the implications of their
work for our futures.
Proposals may consider but are not limited to the following:
-
How has whiteness in the arts affected disabled artists,
artist/teachers, students and teachers who are BIPOC (Black Indigenous and
People of Colour)?
-
How has the emergent awareness of disability as included in oppressed
populations highlighted and interrogated histories of the arts and special
education?
-
How might Indigenous pedagogy, practices, and research illuminate the
limitations of Western histories of disability and arts-based education?
-
How might educators conducting academic historical research re-examine
their assumptions and unconscious behaviours about minoritized identities
as objects of study with their own truth and reality?
Initial chapter proposals should be 500 words and should make the
intersectional and international relevance of the work explicit. This
should be submitted with a brief author bio of no more than 150 words.
Please submit your proposal to Claire Penketh (penketc@hope.ac.uk) on or
before Friday 26th April 2024. Final chapters will be submitted on or
before 1st May 2025.
--
Alice Wexler, MFA, Ed.D.
Professor Emerita, Art Education
SUNY New Paltz
Pronouns: She/her/hers
see my author page, https://www.amazon.com/author/alicewexler
<https://www.amazon.com/gp/f.html?C=Z9SQXHR9LXA4&M=urn:rtn:msg:20200412152207fcb30995e39c402c8d89c42fa2c0p0na&R=1H9E51YRI0YI&T=C&U=https%3A%2F%2Fwww.amazon.com%2Fauthor%2Falicewexler%3Fref_%3Dpe_1724030_132998060&H=EQXSUHHHIFJLF8QTYETGLEPACSWA&ref_=pe_1724030_132998060>
Author of *Autism in a Decentered World*
https://smile.amazon.com/Decentered-Routledge-Advances-Disability-Studies/dp/0815381883/ref=sr_1_1?keywords=autism+in+a+decentered+world&qid=1551909898&s=books&sr=1-1-catcorr
Co-editor of *Bridging Communities through Socially Engaged Art*.
https://smile.amazon.com/Bridging-Communities-Socially-Routledge-Advances/dp/0815396805/ref=sr_1_fkmrnull_1?keywords=bridging+communities+through+socially+engaged+art&qid=1556830291&s=books&sr=1-1-fkmrnull
Co-editor of *Contemporary Art and Disability Studies*.
https://www.amazon.com/Contemporary-Disability-Studies-Routledge-Advances/dp/0367203278/ref=sr_1_2?keywords=disability+studies+and+the+arts&qid=1581782028&s=books&sr=1-2