RR
Raphael Raphael
Mon, Apr 29, 2024 12:21 PM
Call for Papers: The Disability and Horror Handbook, edited by Raphael
Raphael, Angela Marie Smith, and Sophia Siddique, Bloomsbury Academic Press
EXTENDED ABSTRACT DEADLINE: May 10, 2024
The horror genre has always been interested in disability. Indeed, it has
displayed, exploited, and reveled in disability. From antecedents in
classical and medieval monster stories, through early manifestations in
Gothic literature, Grand Guignol, and German expressionist cinema, to
today's horror movies, TV shows, and video games, the genre has used bodily
and mental transformation as the engine for many terrifying plots.
Disability also shapes many of horror's strange and threatening-or
victimized and vulnerable-characters and drives its countless shocking
spectacles. Undeniably, horror frequently sensationalizes disability and
perpetuates harmful stereotypes about monstrous Others. At the same time,
the genre's sharp critiques of normative society and sympathy for outsiders
also render its disability politics messy, complicated, and even radical.
The Disability and Horror Handbook, a volume of collected essays to be
published by the Bloomsbury Academic Press, sets out to understand, engage,
and build on contemporary popular and critical excitement about horror's
disability dynamics, tackling both its exploitative impulses and its
grotesque/delightful potential for remaking our minds, bodies, and
perceptions of disability.
We seek contributions reflecting horror's contradictions, exploring the
genre's portraits of ableist and oppressive locations and practices or
evocations of resistance, community, and joy. We particularly seek essays
that reflect the global diversity of the horror genre, attend to
disability's intersections with race, gender, class, and sexuality, and are
written accessibly for a general audience.
Original essays are invited on a wide range of disability/horror texts.
Concerns may include (but are not limited to):
- horror progenitors such as Gothic literature, Grand Guignol, German
expressionism, and the freakshow
- 20th- and 21st-century movies, TV, online videos and creepypasta
- games
- emerging transmedia forms related to artificial intelligence/large
language models (AI/LLMs) and virtual and augmented reality (VR/AR)
- submissions by & about disabled/crip horror creators, critics, & fan
communities
- considerations of horror's use or representation of specific
impairments, disabilities, and bodymind differences
- the formal disability dynamics of literary, visual, aural, and
cinematic conventions
- reception
Submissions will be accepted until May 10th, 2024. Please send proposed
title, abstract (300-500 words), and brief biography (50-100 words) to
Raphael Raphael at rraphael@hawaii.edu, Angela Marie Smith at
ang.smith@utah.edu, and Sophia Siddique at soharvey@vassar.edu.
--
Raphael Raphael
Assistant Professor,
Center on Disability Studies,
College of Education,
University of Hawai'i at Mānoa
rraphael@hawaii.edu
Editor-in-Chief,
Review of Disability Studies
https://rdsjournal.org/
Call for Papers: The Disability and Horror Handbook, edited by Raphael
Raphael, Angela Marie Smith, and Sophia Siddique, Bloomsbury Academic Press
EXTENDED ABSTRACT DEADLINE: May 10, 2024
The horror genre has always been interested in disability. Indeed, it has
displayed, exploited, and reveled in disability. From antecedents in
classical and medieval monster stories, through early manifestations in
Gothic literature, Grand Guignol, and German expressionist cinema, to
today's horror movies, TV shows, and video games, the genre has used bodily
and mental transformation as the engine for many terrifying plots.
Disability also shapes many of horror's strange and threatening-or
victimized and vulnerable-characters and drives its countless shocking
spectacles. Undeniably, horror frequently sensationalizes disability and
perpetuates harmful stereotypes about monstrous Others. At the same time,
the genre's sharp critiques of normative society and sympathy for outsiders
also render its disability politics messy, complicated, and even radical.
The Disability and Horror Handbook, a volume of collected essays to be
published by the Bloomsbury Academic Press, sets out to understand, engage,
and build on contemporary popular and critical excitement about horror's
disability dynamics, tackling both its exploitative impulses and its
grotesque/delightful potential for remaking our minds, bodies, and
perceptions of disability.
We seek contributions reflecting horror's contradictions, exploring the
genre's portraits of ableist and oppressive locations and practices or
evocations of resistance, community, and joy. We particularly seek essays
that reflect the global diversity of the horror genre, attend to
disability's intersections with race, gender, class, and sexuality, and are
written accessibly for a general audience.
Original essays are invited on a wide range of disability/horror texts.
Concerns may include (but are not limited to):
* horror progenitors such as Gothic literature, Grand Guignol, German
expressionism, and the freakshow
* 20th- and 21st-century movies, TV, online videos and creepypasta
* games
* emerging transmedia forms related to artificial intelligence/large
language models (AI/LLMs) and virtual and augmented reality (VR/AR)
* submissions by & about disabled/crip horror creators, critics, & fan
communities
* considerations of horror's use or representation of specific
impairments, disabilities, and bodymind differences
* the formal disability dynamics of literary, visual, aural, and
cinematic conventions
* reception
Submissions will be accepted until May 10th, 2024. Please send proposed
title, abstract (300-500 words), and brief biography (50-100 words) to
Raphael Raphael at rraphael@hawaii.edu, Angela Marie Smith at
ang.smith@utah.edu, and Sophia Siddique at soharvey@vassar.edu.
--
Raphael Raphael
Assistant Professor,
Center on Disability Studies,
College of Education,
University of Hawai'i at Mānoa
rraphael@hawaii.edu
Editor-in-Chief,
*Review of Disability Studies*
https://rdsjournal.org/